zondag 28 november 2010

Amon Düül - 1986 - Experimente

Amon Düül 
1986
Experimente




01. Special Track Experience No. 1 (4.30)
02. Special Track Experience No. 2 (0.32)
03. Special Track Experience No. 3 (5.17)
04. Special Track Experience No. 4 (2.28)
05. Special Track Experience No. 5 (2.41)
06. Special Track Experience No. 6 (1.11)
07. Special Track Experience No. 7 (5.47)
08. Special Track Experience No. 8 (2.11)
09. Special Track Experience No. 9 (3.45)
10. Special Track Experience No. 10 (1.42)
11. Special Track Experience No. 11 (1.54)
12. Special Track Experience No. 12 (1.24)
13. Special Track Experience No. 13 (3.49)
14. Special Track Experience No. 14 (2.48)
15. Special Track Experience No. 15 (1.29)
16. Special Track Experience No. 16 (5.10)
17. Special Track Experience No. 17 (0.50)
18. Special Track Experience No. 18 (2.06)
19. Special Track Experience No. 19 (6.29)
20. Special Track Experience No. 20 (1.07)
21. Special Track Experience No. 21 (2.46)
22. Special Track Experience No. 22 (3.08)
23. Special Track Experience No. 23 (2.33)
24. Special Track Experience No. 24 (1.08)


Angelica Filanda- Vocals, Percussion
Helge Filanda- Congas, Anvil
Ella Bauer- Vocals, Percussion
Rainer Bauer- Guitar, Vocals
Ullrich Leopold- Bass
Peter Leopold - Drums
Uschi Obermaier- Percussion
Wolfgang Krischke - Piano, Percussion


Experimente is an other obscure live material taken from late 60's Amon Duul delirious-spontaneous percussive jam sessions. The musical quality and the sound production are honest compared to the difficult Collapsing and Disaster. However this new chapter doesn't have the soul and the highly emotional folk vibe of Paradieswarts duul. These live improvisations are essentialy instrumental sometimes accompanied by druggy-stoned vocals. The sound is dominated by repetitive, tribal, savage acoustic percussive pulses, fuzzy psych guitar rythms & leads. In the tradition of Amon Duul first incarnation, this album is an infernal musical trip that can freaks your mind. Some sections are only made of wild, damaged percussive tones (16, 17, 18, 19, 20, 21, 22). The most complex improv epics are the spaced out fuzzing / screaming number 16, the lysergic dance of number 5 and the supreme heavy psych-hippie-like number 9. The album delivers more consistent / catchy moments at the beginning. The rest is going nowhere, lost in a crazy bad trip. An important collection of primitive acid rock pieces for fans and those who are familiar with krautrock. 

1 opmerking: